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Identity and Landscape: Where Is This? (May 12, 2006) These comments from Chinese film director Chen Kaige (of "Farewell My Concubine" fame) address a topic which is both profound and rarely noted: the rooting of personal identity in the landscape, architecture and neighborhoods of a nation. Chen, 53, can barely recognize his hometown of Beijing. He grew up in a traditional household during the Cultural Revolution. What he sees now is a polluted, crowded city that has gradually replaced its older architecture with cold, modern designs.This instantly resonated with me, for it expressed a key theme of my novel I-State Lines: the grounding of one's personal and cultural identity in the moral and physical landscape of one's country. The two young characters in my book feel no affinity whatsoever for the landscape of malls and advertising which pervade America, nor do they feel anything but loathing for the consumerist ethic which has taken over the American soul. They are drawn to farmland, open spaces, and cities with real neighborhoods, not sterile McMansionlands. They are seeking their own identities by working their way across the U.S. in search of authentic landscapes and work--productive work, not shuffling papers or feeding the greed implicit in a consumer-driven economy. Be the first to identify the stretch of river behind me and Ashton Erler, and I'll send you a copy of my book. So email me! (Hint: it's east of the Rockies--way east.) For more on this subject and a wide array of other topics, please visit my weblog. copyright © 2006 Charles Hugh Smith. All rights reserved in all media. I would be honored if you linked this wEssay to your site, or printed a copy for your own use. |
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